et al.
Biography
et al., 2023 Installation view, Michael Lett, 3 East St
et al., i am the direct source of truth, 2023, Installation view, Michael Lett
et al., i am the direct source of truth, 2023, Installation view, Michael Lett
et al., MB in conversation with AB, 2005-2022 (amended 2022), metal trolley on wheels, board, house-paint, pencil, clamp, Minerva Betts photographs, printed book pages, fibre- based enamel paint, 1505 x 960 x 600mm
et al., MB in conversation with AB, 2005-2022 (amended 2022), metal trolley on wheels, board, house-paint, pencil, clamp, Minerva Betts photographs, printed book pages, fibre- based enamel paint, 1505 x 960 x 600mm
The Estate of L. Budd (recto) et al. (verso), foe destroyer, Amended 2023, house-paint, oil stick, pencil on roller blind and work lamp, 1270 x 1030mm
et al., salt, 2021, acrylic paint, pencil, oil stick, blind, luiquitex, adhesive, 260 x 1160mm, Verso: Estate of L Budd
UIC 50511.312-28, date not known
et al., boundary lines, 2018, installation view, Griffith University Art Museum, Brisbane
Samuel Holloway et al. upright piano, 2013, installation view, Auckland Art Gallery Toi o Tamaki, 2017
et al., the common good_Camp of faith, 2015, hand annotated custom framed black and white photograph, 490 x 670 mm
et al., many to many, 2013, roller chairs, signage, metal tubing, sandbags, helium balloons, Swiss balls, particle board. Installation view, Auckland Art Gallery Toi o Tamaki
et al., de_cryption, 2013 Installation view, Auckland Art Gallery Toi o Tamaki
et al., de_cryption, 2013 Installation view, Auckland Art Gallery Toi o Tamaki
et al., trans_cryption, 2011 Installation view, Michael Lett, Auckland
et al., trans_cryption, 2011 Installation view, Michael Lett, Auckland
et al., the fundamental practice – regroup, reorder, restore!, 2007 Installation view, Artspace, Auckland
et al., the fundamental practice – regroup, reorder, restore!, 2007 Installation view, Artspace, Auckland
et al., the fundamental practice, 2005 Installation view, 51st Venice Biennale
et al., the fundamental practice, 2005 Installation view, 51st Venice Biennale
et al., i am the direct source of truth, 2023, Installation view, Michael Lett
et al., MB in conversation with AB, 2005-2022 (amended 2022), metal trolley on wheels, board, house-paint, pencil, clamp, Minerva Betts photographs, printed book pages, fibre- based enamel paint, 1505 x 960 x 600mm
The Estate of L. Budd (recto) et al. (verso), foe destroyer, Amended 2023, house-paint, oil stick, pencil on roller blind and work lamp, 1270 x 1030mm
et al., boundary lines, 2018, installation view, Griffith University Art Museum, Brisbane
et al., the common good_Camp of faith, 2015, hand annotated custom framed black and white photograph, 490 x 670 mm
et al., de_cryption, 2013 Installation view, Auckland Art Gallery Toi o Tamaki
et al., trans_cryption, 2011 Installation view, Michael Lett, Auckland
et al., the fundamental practice – regroup, reorder, restore!, 2007 Installation view, Artspace, Auckland
et al., the fundamental practice, 2005 Installation view, 51st Venice Biennale
et al.
In 2001 the artist working under the pseudonym L. Budd resigned, re-signing thereafter simply as “et al.” meaning “and others”. While L. Budd had been an inclusive signature throughout the late 1990s often signing as “L. Budd et al.”, hinting at the collaborative of unnamed parties, this was nonetheless a new beginning, a birth with an implicit end. Not the death of the author but the death of the individual signatory, and the emergence of a new collective framework, also anonymous.
– Natasha Conland
Close
et al., 2023 Installation view, Michael Lett, 3 East St
et al., i am the direct source of truth, 2023, Installation view, Michael Lett
et al., i am the direct source of truth, 2023, Installation view, Michael Lett
et al., MB in conversation with AB, 2005-2022 (amended 2022), metal trolley on wheels, board, house-paint, pencil, clamp, Minerva Betts photographs, printed book pages, fibre- based enamel paint, 1505 x 960 x 600mm
et al., MB in conversation with AB, 2005-2022 (amended 2022), metal trolley on wheels, board, house-paint, pencil, clamp, Minerva Betts photographs, printed book pages, fibre- based enamel paint, 1505 x 960 x 600mm
The Estate of L. Budd (recto) et al. (verso), foe destroyer, Amended 2023, house-paint, oil stick, pencil on roller blind and work lamp, 1270 x 1030mm
et al., salt, 2021, acrylic paint, pencil, oil stick, blind, luiquitex, adhesive, 260 x 1160mm, Verso: Estate of L Budd UIC 50511.312-28, date not known
et al., boundary lines, 2018, installation view, Griffith University Art Museum, Brisbane
Samuel Holloway et al. upright piano, 2013, installation view, Auckland Art Gallery Toi o Tamaki, 2017
et al., the common good_Camp of faith, 2015, hand annotated custom framed black and white photograph, 490 x 670 mm
et al., many to many, 2013, roller chairs, signage, metal tubing, sandbags, helium balloons, Swiss balls, particle board. Installation view, Auckland Art Gallery Toi o Tamaki
et al., de_cryption, 2013 Installation view, Auckland Art Gallery Toi o Tamaki
et al., de_cryption, 2013 Installation view, Auckland Art Gallery Toi o Tamaki
et al., trans_cryption, 2011 Installation view, Michael Lett, Auckland
et al., trans_cryption, 2011 Installation view, Michael Lett, Auckland
et al., the fundamental practice – regroup, reorder, restore!, 2007 Installation view, Artspace, Auckland
et al., the fundamental practice – regroup, reorder, restore!, 2007 Installation view, Artspace, Auckland
et al., the fundamental practice, 2005 Installation view, 51st Venice Biennale
et al., the fundamental practice, 2005 Installation view, 51st Venice Biennale