Gretchen Albrecht

After Goya

8 Nov — 12 Dec 2020

Michael Lett, in association with Two Rooms, is pleased to present an exhibition of four major new hemisphere paintings by Gretchen Albrecht.

For a number of years, Gretchen Albrecht had a postcard of Goya’s portrait of actress Antonia Zárate pinned to the wall of her studio. She first saw the work at the National Gallery of Ireland, and immediately fell in love with the striking colours. The uninterrupted time in her home studio enforced by 2020’s lockdowns saw Albrecht return to her Goya catalogues, and the postcard image of Zárate was joined by two other Goya subjects, María Cayetana de Silva and María Josefa Pimentel, to form the basis of four new paintings.

The result is a dramatic new series of hemispheres in which Albrecht pays homage to Goya’s portraits of these three women. Not seeking to represent the literal or the particular, Albrecht instead offers a nuanced and expansive response to the Spanish romantic painter’s work.

 

Gretchen Albrecht
After Goya ‘Antonia’
2020
Acrylic & oil on Belgian linen
1500 x 3000mm

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Gretchen Albrecht
After Goya ‘Maria Josefa’
2020
Acrylic & oil on Belgian linen
1500 x 3000mm

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“My preoccupations roam unfettered and alight upon things in an uncalculated way. Paintings come into focus, seemingly invisible until you ‘need’ to see them — the little postcard of Doña Antonia eventually leading to these four large hemispheres is an example. I do not really see paintings in their historical periods. If I respond to an artwork it is because it speaks to me, and seems fresh and vital and meaningful and absolutely necessary to enter my life at that moment.”

– Gretchen Albrecht, 2020

Gretchen Albrecht
After Goya ‘Maria Teresa in Black’
2020
Acrylic & oil on Belgian linen
1500 x 3000mm

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Gretchen Albrecht
After Goya ‘Maria Teresa in White’
2020
Acrylic & oil on Belgian linen
1500 x 3000mm

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Gretchen Albrecht
The Dowager’s Rose
2020
Acrylic & oil on Belgian linen
300 x 600mm

SOLD