Dan Arps, Kicking Against the Pricks, Installation view, 2014
Stella Corkery, Warm Your Feet by the Fire, 2014, oil on canvas, 600 x 500 mm
Jacqueline Fraser, The Making of Close Encounters of The Third Kind 2014, 2014, paper, cardboard, magazine collage, archival glue, plastic, 2800 x 2800 mm
Michael Stevenson, Auckland Sun “I HATE WEAK ARTISTS” Thursday 24 DECEMBER 1987, 2002, photocopy, screenprint and dye on paper, 600 x 420 mm
Kicking Against the Pricks, Installation view, 2014
Julian Dashper, Untitled (Who’s Afraid of Red, Yellow and Blue), 1993, 3 Plastic coloured chains, Yellow – 1000 mm length, blue 1240 mm, red 950 mm
Glenn Otto, Tall Poppy Stockholm Syndrome, 2014, gesso, marker pen, varnish on canvas with artists frame, 1220 x 1830 mm
Glenn Otto, Untitled (Under the Table), 2014, gesso, marker pen, varnish on canvas with artists frame, 500 x 600 mm
Jacqueline Fraser, The Making of Close Encounters of The Third Kind 2014, 2014, detail
Kicking Against The Pricks
10 September — 11 October 2014
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Dan Arps, Kicking Against the Pricks, Installation view, 2014
Stella Corkery, Warm Your Feet by the Fire, 2014, oil on canvas, 600 x 500 mm
Jacqueline Fraser, The Making of Close Encounters of The Third Kind 2014, 2014, paper, cardboard, magazine collage, archival glue, plastic, 2800 x 2800 mm
Michael Stevenson, Auckland Sun “I HATE WEAK ARTISTS” Thursday 24 DECEMBER 1987, 2002, photocopy, screenprint and dye on paper, 600 x 420 mm
Kicking Against the Pricks, Installation view, 2014
Julian Dashper, Untitled (Who’s Afraid of Red, Yellow and Blue), 1993, 3 Plastic coloured chains, Yellow – 1000 mm length, blue 1240 mm, red 950 mm
Glenn Otto, Tall Poppy Stockholm Syndrome, 2014, gesso, marker pen, varnish on canvas with artists frame, 1220 x 1830 mm
Glenn Otto, Untitled (Under the Table), 2014, gesso, marker pen, varnish on canvas with artists frame, 500 x 600 mm
Jacqueline Fraser, The Making of Close Encounters of The Third Kind 2014, 2014, detail