Implicated and Immune

28 January — 28 February 2015

Information

Implicated and Immune, Installation view, 2015

Fiona Clark, Living with AIDS, 1998, annotated colour photographs in album, annotated colour photographs, suite of 4 albums, each 600 x 660 mm

Imogen Taylor, Freddie, 2015, acrylic and rope on hessian, 1800 x 900 mm

Grant Lingard, Swan Song, 1995, 10 x clothes horses, sheets, pillowcases, towels, dimensions variable

Alex Vivian, An approach to portraiture (Travis Fimmel), 2011, vaseline on framed poster, 700 x 570 mm

Simon Denny, Validation in a Virus, 2015, screen print on canvas, plexiglass, metal fixings, 615 x 715 mm

Richard Killeen, Burial Mound, 1992, screen print and paint on aluminium, dimensions variable

Implicated and Immune, Installation view, 2015

John Reynolds, The Cause of the Movement of the Heart, 1992, mixed media on paper, 2000 x 2070 mm

Billy Apple, Art For AIDS, 2000, screen print on acrylic, 145.9 x 236.07, edition of 50

Campbell Patterson, My Death, 2011, digital video on DVD, edition of three

Richard Wearn, Touched (By the Hand of God), 2015, chromed cast resin, 1880 x 175 x 175 mm

Richard Orjis, Sap, 2004, digital video transfered to DVD, edition 5 / 5

Daniel Malone, Someone Else’s Body (Auckland Art Gallery, Gow Langsford Gallery, Fischer Gallery, Sue Crockford Gallery), 1992, 4 x VHS videos transferred to digital, edition of 3

Inhouse Design, 2015 update to a 1988 San Francisco AIDS Foundation Poster, 2015, 2 colour offset print on 80gsm Trophee Pink paper stock, 760 x 595 mm,  unlimited edition

Ava Seymour, Family Portrait, 1995, collage, 355 x 295 mm (framed)

Jacqueline Fraser, The Making of Purple Rain 2015, 2015, mixed media on plastic, 2400 x 4000 mm

Fiona Pardington, Christopher, 1993, silver gelatin print, 925 x 760 mm / courtesy of Two Rooms Gallery, Auckland

Anon., untitled (Black Flag for GL), 2015, found jockey underwear, flag pole, 2200 x 1800 mm

Douglas Wright, untitled, 2008, pencil on paper, 207 x 220 mm

Phillip Kelly, Artzaid, 1992, 96 printed A4 sheets, dimensions variable

Implicated and Immune

28 January — 28 February 2015

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Implicated and Immune, Installation view, 2015

Fiona Clark, Living with AIDS, 1998, annotated colour photographs in album, annotated colour photographs, suite of 4 albums, each 600 x 660 mm

Imogen Taylor, Freddie, 2015, acrylic and rope on hessian, 1800 x 900 mm

Grant Lingard, Swan Song, 1995, 10 x clothes horses, sheets, pillowcases, towels, dimensions variable

Alex Vivian, An approach to portraiture (Travis Fimmel), 2011, vaseline on framed poster, 700 x 570 mm

Simon Denny, Validation in a Virus, 2015, screen print on canvas, plexiglass, metal fixings, 615 x 715 mm

Richard Killeen, Burial Mound, 1992, screen print and paint on aluminium, dimensions variable

Implicated and Immune, Installation view, 2015

John Reynolds, The Cause of the Movement of the Heart, 1992, mixed media on paper, 2000 x 2070 mm

Billy Apple, Art For AIDS, 2000, screen print on acrylic, 145.9 x 236.07, edition of 50

Campbell Patterson, My Death, 2011, digital video on DVD, edition of three

Richard Wearn, Touched (By the Hand of God), 2015, chromed cast resin, 1880 x 175 x 175 mm

Richard Orjis, Sap, 2004, digital video transfered to DVD, edition 5 / 5

Daniel Malone, Someone Else’s Body (Auckland Art Gallery, Gow Langsford Gallery, Fischer Gallery, Sue Crockford Gallery), 1992, 4 x VHS videos transferred to digital, edition of 3

Inhouse Design, 2015 update to a 1988 San Francisco AIDS Foundation Poster, 2015, 2 colour offset print on 80gsm Trophee Pink paper stock, 760 x 595 mm,  unlimited edition

Ava Seymour, Family Portrait, 1995, collage, 355 x 295 mm (framed)

Jacqueline Fraser, The Making of Purple Rain 2015, 2015, mixed media on plastic, 2400 x 4000 mm

Fiona Pardington, Christopher, 1993, silver gelatin print, 925 x 760 mm / courtesy of Two Rooms Gallery, Auckland

Anon., untitled (Black Flag for GL), 2015, found jockey underwear, flag pole, 2200 x 1800 mm

Douglas Wright, untitled, 2008, pencil on paper, 207 x 220 mm

Phillip Kelly, Artzaid, 1992, 96 printed A4 sheets, dimensions variable