Jacqueline Fraser

Biography

Jacqueline Fraser, The Making of Mississippi Grind 2017, 2017, mixed media, commissioned by Auckland Art Gallery Toi o Tāmaki, 2017

Jacqueline Fraser, THE MAKING OF A MOST VIOLENT YEAR, 2017, Installation view, TG, Nottingham

Jacqueline Fraser, THE MAKING OF A MOST VIOLENT YEAR, 2017, Installation view, TG, Nottingham

Jacqueline Fraser, The Making of Close Encounters of The Third Kind 2014, 2014, paper, cardboard, magazine collage, archival glue, plastic, 2800 x 2800 mm

 

Jacqueline Fraser, The Making of Close Encounters of The Third Kind 2014 (detail), 2014, paper, cardboard, magazine collage, archival glue, plastic

Jacqueline Fraser, The Making of 8 1/2 2015, 2015, mixed media collage, 955 x 660 mm (framed)

Jacqueline Fraser, The Making of 8 1/2 2015, 2015, Installation view, Art Basel, Hong Kong

Jacqueline Fraser, The Making of 8 1/2 2015, 2015, Installation view, Art Basel, Hong Kong

Jacqueline Fraser, The Making of Repulsion 2013, 2012, luxury fabric on stretcher, duratran prints, bridal veil, each 1020 x 760 mm

Jacqueline Fraser, The Making of the Ciao Manhattan Tapes 2013, Installation view, Adam Art Gallery, 2013

Jacqueline Fraser, The Making of the Ciao Manhattan Tapes 2013, Installation detail, Adam Art Gallery, 2013

Jacqueline Fraser, The Making of American Gangster 2012, 2012, archival card, magazine collage, archival glue, plastic sheeting, 400 x 330 mm

Jacqueline Fraser, The Making of American Gangster 2012, Installation view, Michael Lett, 2012

Jacqueline Fraser, The Making of American Gangster 2012, Installation view, Michael Lett, 2012

Jacqueline Fraser, Looking at Alexander Wang Looking at Daniel Buren at the Guggenheim NYC, 2013, fabric, duratran prints, wig, stretcher, 2150 x 1200 mm

Jacqueline Fraser, The Making of The Ciao Manhattan Tapes 2013, 2013, Installation view, Adam Art Gallery, Wellington

Jacqueline Fraser, The Making of The Ciao Manhattan Tapes 2013, 2013, Installation view, Adam Art Gallery, Wellington

Jacqueline Fraser, The Making of The Ciao Manhattan Tapes 2013, 2013, Installation view, Adam Art Gallery, Wellington

Jacqueline Fraser, The Making of The Pope of Greenwich Village, 2012, 2011, digital video

Jacqueline Fraser, Crack, 2009, unique metallic photographic print on dibond, 3300 x 1285 mm

Jacqueline Fraser, THE MAKING OF A MOST VIOLENT YEAR, 2017, Installation view, TG, Nottingham

Jacqueline Fraser, The Making of Close Encounters of The Third Kind 2014, 2014, paper, cardboard, magazine collage, archival glue, plastic, 2800 x 2800 mm

 

Jacqueline Fraser, The Making of 8 1/2 2015, 2015, mixed media collage, 955 x 660 mm (framed)

Jacqueline Fraser, The Making of 8 1/2 2015, 2015, Installation view, Art Basel, Hong Kong

Jacqueline Fraser, The Making of the Ciao Manhattan Tapes 2013, Installation view, Adam Art Gallery, 2013

Jacqueline Fraser, The Making of American Gangster 2012, 2012, archival card, magazine collage, archival glue, plastic sheeting, 400 x 330 mm

Jacqueline Fraser, The Making of American Gangster 2012, Installation view, Michael Lett, 2012

Jacqueline Fraser, The Making of The Ciao Manhattan Tapes 2013, 2013, Installation view, Adam Art Gallery, Wellington

Jacqueline Fraser, The Making of The Ciao Manhattan Tapes 2013, 2013, Installation view, Adam Art Gallery, Wellington

Jacqueline Fraser, Crack, 2009, unique metallic photographic print on dibond, 3300 x 1285 mm

Jacqueline Fraser

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Jacqueline Fraser was born in Dunedin, New Zealand in 1956, and has exhibited widely on an international scale in a career that spans more than three decades. In 2004 she was short listed for two major art prizes, Artes Mundi in the United Kingdom (one of 10 international artists) and the Walter’s Prize in Auckland (one of 4 New Zealand artists). In 2001 Fraser had a solo exhibition at the New Museum of Contemporary Art in New York and also represented New Zealand in their inaugural presentation at the Venice Biennale.

Jacqueline Fraser currently lives and works between Auckland and New York.

 
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Jacqueline Fraser, The Making of Mississippi Grind 2017, 2017, mixed media, commissioned by Auckland Art Gallery Toi o Tāmaki, 2017

Jacqueline Fraser, THE MAKING OF A MOST VIOLENT YEAR, 2017, Installation view, TG, Nottingham

Jacqueline Fraser, THE MAKING OF A MOST VIOLENT YEAR, 2017, Installation view, TG, Nottingham

Jacqueline Fraser, The Making of Close Encounters of The Third Kind 2014, 2014, paper, cardboard, magazine collage, archival glue, plastic, 2800 x 2800 mm  

Jacqueline Fraser, The Making of Close Encounters of The Third Kind 2014 (detail), 2014, paper, cardboard, magazine collage, archival glue, plastic

Jacqueline Fraser, The Making of 8 1/2 2015, 2015, mixed media collage, 955 x 660 mm (framed)

Jacqueline Fraser, The Making of 8 1/2 2015, 2015, Installation view, Art Basel, Hong Kong

Jacqueline Fraser, The Making of 8 1/2 2015, 2015, Installation view, Art Basel, Hong Kong

Jacqueline Fraser, The Making of Repulsion 2013, 2012, luxury fabric on stretcher, duratran prints, bridal veil, each 1020 x 760 mm

Jacqueline Fraser, The Making of the Ciao Manhattan Tapes 2013, Installation view, Adam Art Gallery, 2013

Jacqueline Fraser, The Making of the Ciao Manhattan Tapes 2013, Installation detail, Adam Art Gallery, 2013

Jacqueline Fraser, The Making of American Gangster 2012, 2012, archival card, magazine collage, archival glue, plastic sheeting, 400 x 330 mm

Jacqueline Fraser, The Making of American Gangster 2012, Installation view, Michael Lett, 2012

Jacqueline Fraser, The Making of American Gangster 2012, Installation view, Michael Lett, 2012

Jacqueline Fraser, Looking at Alexander Wang Looking at Daniel Buren at the Guggenheim NYC, 2013, fabric, duratran prints, wig, stretcher, 2150 x 1200 mm

Jacqueline Fraser, The Making of The Ciao Manhattan Tapes 2013, 2013, Installation view, Adam Art Gallery, Wellington

Jacqueline Fraser, The Making of The Ciao Manhattan Tapes 2013, 2013, Installation view, Adam Art Gallery, Wellington

Jacqueline Fraser, The Making of The Ciao Manhattan Tapes 2013, 2013, Installation view, Adam Art Gallery, Wellington

Jacqueline Fraser, The Making of The Pope of Greenwich Village, 2012, 2011, digital video

Jacqueline Fraser, Crack, 2009, unique metallic photographic print on dibond, 3300 x 1285 mm