Hany Armanious

Biography

Hany Armanious, Hollow Earth, Installation view, 2016

 

Hany Armanious, The Shadow, 2016, giclèe print, ultra chrome ink on cotton rag paper, 1110 x 1530 mm

Hany Armanious, Still Life, 2013, pigmented polyurethane resin, white bronze, 450 x 560 x 30 mm

Hany Armanious, Untitled, 2015, UV reactive dye on cut pile nylon carpet, 1000 x 1600 mm

Hany Armanious, Ejaculate and dick, 2013, pigmented polyurethane resin, 1300 x 400 x 500 mm

Hany Armanious, Set down, Installation view, Michael Lett, 2013

Hany Armanious, Ejaculate and dick (detail), 2013, pigmented polyurethane resin, 1300 x 400 x 500 mm

Hany Armanious, Relative Nobody, 2010, cast pigmented polyurethane resin, bronze, 1140 x 890 x 660 mm

Hany Armanious, Interface, 2011, cast pigmented polyurethane resin, pewter
1360 x 1200 x 150 mm

Hany Armanious, Fountain, 2012, marble, cast polyurethane resin, bronze, 2130 x 1830 x 2710 mm, MCA, Sydney

Hany Armanious, We Astrologers, 2010, uv stable polyurethane resin with pigment, 780 x 500 x 115 mm

Hany Armanious, Sleeping the entire length of a day during the night, 2010, uv stable polyurethane resin with pigment, 210 x 580 mm

Hany Armanious, Selflok, 1994–2001, Installation detail, City Gallery Wellington, 2014

Hany Armanious, rock cock bacon sock (detail), 2007, real mud, silicon, pigment, epoxy, polyurethane, cardboard, plaster, snooker table pockets, dimensions variable

Hany Armanious, Adventures with form in space: 4th Balnaves Foundation Sculpture Project, Installation view, Art Gallery of New South Wales, 2006

Hany Armanious, Centre of the Universe (central core, soft core, hard core), 2004, Auckland Art Gallery Toi o Tamaki

Hany Armanious, Centre of the Universe (central core, soft core, hard core), 2004, Installation detail

Hany Armanious, Untitled Snake Oil, 1998, hotmelt, glass
24 pieces, dimensions variable

Hany Armanious, The Shadow, 2016, giclèe print, ultra chrome ink on cotton rag paper, 1110 x 1530 mm

Hany Armanious, Untitled, 2015, UV reactive dye on cut pile nylon carpet, 1000 x 1600 mm

Hany Armanious, Set down, Installation view, Michael Lett, 2013

Hany Armanious, Relative Nobody, 2010, cast pigmented polyurethane resin, bronze, 1140 x 890 x 660 mm

Hany Armanious, Fountain, 2012, marble, cast polyurethane resin, bronze, 2130 x 1830 x 2710 mm, MCA, Sydney

Hany Armanious, Sleeping the entire length of a day during the night, 2010, uv stable polyurethane resin with pigment, 210 x 580 mm

Hany Armanious, rock cock bacon sock (detail), 2007, real mud, silicon, pigment, epoxy, polyurethane, cardboard, plaster, snooker table pockets, dimensions variable

Hany Armanious, Centre of the Universe (central core, soft core, hard core), 2004, Auckland Art Gallery Toi o Tamaki

Hany Armanious, Untitled Snake Oil, 1998, hotmelt, glass
24 pieces, dimensions variable

Hany Armanious

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Much of Armanious’ recent practice can be traced to his fascination with the processes and problems of making sculpture – casting in particular. His latest bodies of work play out these processes in a fantastical cycle of self-referentiality forged from an acute awareness of the analogous morphologies of form, material, and cultural resource.

Hany Armanious was born in Eygpt in 1962 and grew up in Australia, where he currently lives. He has exhibited widely throughout Australisia, Europe and United States over the past two decades. In 2011 Armanious represented Australia in the 54th Venice Biennale with his exhibition The Golden Thread in the Australian Pavilion. In 2001 his work was shown as part of a solo exhibition at the UCLA Hammer Museum in Los Angeles and later at the Ian Potter Museum in Melbourne. Armanious was awarded the prestigious Moet and Chandon Australian Art Foundation Fellowship in 1998. His work is held in most major Australian public and private collections as well as many overseas.

Hany Armanious currently lives and works in Sydney, Australia.

 
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Hany Armanious, Hollow Earth, Installation view, 2016  

Hany Armanious, The Shadow, 2016, giclèe print, ultra chrome ink on cotton rag paper, 1110 x 1530 mm

Hany Armanious, Still Life, 2013, pigmented polyurethane resin, white bronze, 450 x 560 x 30 mm

Hany Armanious, Untitled, 2015, UV reactive dye on cut pile nylon carpet, 1000 x 1600 mm

Hany Armanious, Ejaculate and dick, 2013, pigmented polyurethane resin, 1300 x 400 x 500 mm

Hany Armanious, Set down, Installation view, Michael Lett, 2013

Hany Armanious, Ejaculate and dick (detail), 2013, pigmented polyurethane resin, 1300 x 400 x 500 mm

Hany Armanious, Relative Nobody, 2010, cast pigmented polyurethane resin, bronze, 1140 x 890 x 660 mm

Hany Armanious, Interface, 2011, cast pigmented polyurethane resin, pewter 1360 x 1200 x 150 mm

Hany Armanious, Fountain, 2012, marble, cast polyurethane resin, bronze, 2130 x 1830 x 2710 mm, MCA, Sydney

Hany Armanious, We Astrologers, 2010, uv stable polyurethane resin with pigment, 780 x 500 x 115 mm

Hany Armanious, Sleeping the entire length of a day during the night, 2010, uv stable polyurethane resin with pigment, 210 x 580 mm

Hany Armanious, Selflok, 1994–2001, Installation detail, City Gallery Wellington, 2014

Hany Armanious, rock cock bacon sock (detail), 2007, real mud, silicon, pigment, epoxy, polyurethane, cardboard, plaster, snooker table pockets, dimensions variable

Hany Armanious, Adventures with form in space: 4th Balnaves Foundation Sculpture Project, Installation view, Art Gallery of New South Wales, 2006

Hany Armanious, Centre of the Universe (central core, soft core, hard core), 2004, Auckland Art Gallery Toi o Tamaki

Hany Armanious, Centre of the Universe (central core, soft core, hard core), 2004, Installation detail

Hany Armanious, Untitled Snake Oil, 1998, hotmelt, glass 24 pieces, dimensions variable